![]() ![]() Lenker’s soft harmonies display her lyrical genius, as first and foremost she is a poet. Quick-paced “Lighthouse” is one of Adrienne Lenker’s beloved older tracks. “So Far Away” in particular pairs its slow, gloomy piano with King’s powerful voice for a lovely, reflective song. While her appearance in the show “Gilmore Girls” - another fall staple - has introduced her to a more modern audience, individually her music invokes all the comfort and warmth of a scarf on a windy autumn day. ’70s favorite Carole King moves the genre away from previously mentioned ’90s indie rock hits. With soft, melodic vocals paired with well-placed harmonica, this relaxed song feels like a stroll through a forest filled with changing leaves. Smith introduces his beautiful, raw layered vocals and complicated guitar picking to create a masterpiece one could almost mistake for a cheerful song.Īlmost every track in ’90s folk-rock band Mazzy Star’s discography carries an effortlessly autumnal acoustic guitar sequence, but “Flowers in December” arguably does it best. ’90s alternative artist Elliott Smith’s “Say Yes” is the perfect mix of breakup song and fall optimism. Their use of reverb and random experimental sounds brings the song to life and solidifies it as an absolute autumnal banger. In addition to their seasonally appropriate name, Smashing Pumpkins’ hit “1979” is the perfect grungy track for any fall playlist, featuring one of the greatest guitar riffs in alternative rock history. This doesn’t cost you anything extra, we just have to give you the heads up for legal reasons.For anyone looking to get into the autumn mood, look no further than these songs, movies, shows and books that pair perfectly with the crisp crunch of fallen leaves and a cup of warm cider. This post has affiliate links, which means we may earn advertising money if you buy something. Presumably the tales that the children tell will be based on famous Pike stories. But in an interesting twist-similar to Flanagan’s previous adaptations-it will also fold in other Pike stories. A group of young kids meet to tell scary stories and ultimately make a pact that the first who dies must send a sign to the others from beyond the grave. Flanagan’s take on The Midnight Club will follow the classic book’s setup. Netflix’s upcoming adaptation is another reason to revisit Pike’s impressive collection of stories. The filmmaker has made a career of delivering emotionally driven and unexpected horror-to take on. When we revisit the brief but affecting horror now, it makes a lot of sense as a project for Flanagan. It’s an exploration of mortality and fear, along with friendship and the power of stories. But the book itself delivers something entirely different: an esoteric meditation on life, death, and the great beyond. ![]() Set in a home for children with terminal illness, the original cover promises readers another And Then There Were None inspired slasher as a hooded figure looms over the seated children. ![]() The Midnight Club is one of the author’s most original and powerful works. It’s interesting then that Netflix’s huge upcoming Pike project is not one of his classic takes on horror tropes, but is in fact his most subversive and surprising story of all. This isn’t to say that Pike was the first to do such a story, but that for many young readers his versions were our entry point into some of horror’s most fun and recurring story archetypes. I would later try my own version for a school writing project, though the effects were far less enjoyable. Both the time loop slasher antics of Happy Death Day to the recent (and very entertaining) How to Survive Your Murder offer twists on the concept. It’s also something we’ve seen again and again in contemporary horror. The concept of a girl solving her own murder from the afterlife blew my mind. Remember Me was probably the first time I really interacted with supernatural horror after finding a copy in a second hand bookstore. The Slumber Party also uses strange crank calls ala When a Stranger Calls and Black Christmas, working as a primer for kids who want to explore horror and its patterns. A killer’s quest for revenge features in many of the iconic slashers like Friday 13th and I Know What You Did Last Summer, itself based on a YA horror novel. Of course, things don’t go their way as their past begins to hunt them down. The Slumber Party introduces a group of teens returning to the scene of a terrible accident in the hopes that this time their trip will be less tragic. In Pike’s works he gives readers a chance to do just that, reimagining the trappings and tropes of classic horror stories and films for younger readers. As a child, exploring horror is a way of making sense of the world and learning our boundaries. ![]()
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