MediaMonkey syncs with most Android or iOS mobile devices and other portable audio/video devices. If you like listening to podcasts, MediaMonkey’s integrated Podcatcher allows you to download audio content or you can use the web downloader and download files from websites. MediaMonkey also lets you organize, browse or search through your collection by artist, genre, rating, year and other parameters.Īn Auto-DJ feature is included that lets you create any casual or professional DJ party mix automatically based on your preferences. You can manage a music library with as few as 100 tracks to more than 100,000 audio or video files and playlists. You can also convert different audio file formats. The standard (free) version comes with several useful tools you can use to add album art, tag music files, rip CDs, and burn discs. The music manager and audio converter is compatible with non-Apple MP3 players, iOS devices and portable media players too. If you have a large digital music collection, you can use MediaMonkey to manage your library. MusicBee is available for Windows and it supports Groove Music, audio books, playlist and podcast syncing. It lets you use auto-tagging to organize your collection, and create or discover playlists based on your preferences using the Auto-DJ function. Plus, you can turn your device into a jukebox and play music any time. This is because louder tracks are more susceptible to extra distortion in the transcoding process.The software also supports web radio stations, podcasts and SoundCloud integration so you can play the music you want. If your master’s louder than -14dB integrated LUFS, make sure it stays below -2dB TP (True Peak) to avoid extra distortion.This is best for lossy formats (Ogg/Vorbis and AAC) and makes sure no extra distortion’s introduced in the transcoding process. Target the loudness level of your master at -14dB integrated LUFS and keep it below -1dB TP (True Peak) max.Loudness normalization means we don’t always play your track at the level it’s mastered. The limiter’s set to engage at -1 dB (sample values), with a 5 ms attack time and a 100 ms decay time. We apply a limiter to prevent distortion and clipping in soft dynamic tracks. Note: We set this level regardless of maximum True Peak. Premium listeners can also choose volume normalization levels in the app settings to compensate for a noisy or quiet environment We consider the headroom of the track, and leave 1 dB headroom for lossy encodings to preserve audio quality.Įxample: If a track loudness level is -20 dB LUFS, and its True Peak maximum is -5 dB FS, we only lift the track up to -16 dB LUFS. Positive gain is applied to softer masters so the loudness level is -14 dB LUFS.This lowers the volume in comparison to the master - no additional distortion occurs. Negative gain is applied to louder masters so the loudness level is -14 dB LUFS.Positive or negative gain compensation gets applied to a track while it’s playing. We adjust individual tracks when shuffling an album or listening to tracks from multiple albums (e.g. This means the softer tracks are as soft as you intend them to be. We normalize an entire album at the same time, so gain compensation doesn’t change between tracks.We adjust tracks to -14 dB LUFS, according to the ITU 1770 (International Telecommunication Union) standard. speakers and TVs) don’t use loudness normalization. Note: The web player and 3rd-party devices (e.g. We use loudness normalization to balance soft and loud songs, creating a more balanced uniform experience. Audio gets delivered to us at different volume levels.
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